Showing posts with label e book. Show all posts
Showing posts with label e book. Show all posts

Tuesday, March 19, 2013

Be Wealthy Now! - The Von Noshrilgram System

People often ask:

"Alistair A. Vogan, how can you afford all the bling?

The truth is, honestly, I don't even notice anymore. 

"Well, is it from all the advances from the publishers and the result of fierce bidding wars between the studios for the movie rights to How To Lose Your Voice Without Screaming?" they ask. 

Nope. That's just the tip of the ice-burg.

When I explain and they finally understand that I've actually been independently wealthy for some time, well, yes, they are surprised! They're surprised not because I am so super-duper affluent but because of the ingenious way in which I made it happen... 

And it's time you found out for yourself.

Be Wealthy Now!
The Ivan Von Noshrilgram System (2011)

(If the video is not visible below press the following link: 

Now, instantly be the coolest kid in your peer group. Begin reading the beta version of the novel

How To Lose Your Voice 
Without Screaming 

Simply 
hit 
the 
following 
link:


Copyright 2000 (Alistair Avery Vogan / the Von  Noshrilgram Foundation)

Wednesday, February 06, 2013

Video Blog Introduction

Since I can't actually afford to hire a public relations team to promote How To Lose Your Voice Without Screaming I'm playing with the idea of creating a video blog component here on Blogger. Watch the video and let me know your thoughts. Please be kind.

...What kind of reader reads How To Lose Your Voice Without Screaming?

Are you a member of this select group, I like to call, the 'In Crowd'?



If you haven't had a chance read the Prologue to How To Lose Your Voice Without Screaming, it's still free. Later though it'll probably cost a fortune. Like $200 a copy since I'm thinking of releasing it only as a coffee table book, which is super rare in an e-book!

Just click the link, to enter a new dimension:

Prologue - The Push


Thursday, May 24, 2012

"This story will change America..."


"This story will change America, forever. Let me correct myself. …It already has.”


Ivan Von Noshrilgram Sr. 




The Ivan Von Noshrilgram Foundation would like to gratefully acknowledge assistance provided by:

Rose Street
P.S. Winn
Simona
Helena
Ben Culhane 
Kingsley Vogan 
Ken McDavitt 
Paddy 
Ocope515 
DonkeyJacket 
Safia Adam
 Sport68 
Robert Bodrog 
Bob Studholme 
Brian Borgford 
Craig Lauzon 
Patreshia Tkach
Chi Diep 
Colin Rivers 
Anum Siddiqui 
Sara Ryan 
Hannah Taha 
Shaikha Alain 
Ayesha Sayed 
Leanne Wherret 
Bruce McCullouch 
Susan Cavan 
Tanya Nguyen 
Margaret Lambert 
Peggy Vogan 
Mahmood Farra 
Barbara Vogan 
ZeBeDee 
Paul Marlow 
Alison Belsham 
Brian L 
Melyat 
Jagermeister8 
and 
Sir William Newman 
editors and story consultants at The Ivan Von Noshrilgram Foundation, Antarctica.)    

Copyright 2000 (Alistair Avery Vogan / the Von  Noshrilgram Foundation)


Tuesday, April 20, 2010

How Did I Get Here? - Our Operation In The Middle East

From the Editor's Desk
at the Von Noshrilgram Foundation


The Middle East. Noon. Sun exploding directly overhead in a pale blue sky. Feel it, as if through a large magnifying glass hovering just over your head and shoulders. See a bustling market place, skinned animal limbs hanging, stacked jars of Omani honey, three goats in the back seat of a Mercedes Benz zipping past, leaning towers of cleansers and mounds of vegetables. Honking and haggling. It's all there. So is a white man, “too much white,” who stands with arms outstretched, shoes beginning to melt into the searing heat of the asphalt like cheese from a grilled sandwich as he glares at a map, slowly rotating it clockwise. He glances up, lost in the blur of heads and shoulders drifting past in all directions around him. His lips move silently. He estimates the total kilometers from his present location to his hometown, counting on his fingers. The map falls to the ground and is trampled…

Our Operation in the Middle East

What motivates one to embark on a life overseas? How does one benefit from being that ‘fish out of water’? Will we ever be the same once we’ve fully come to terms with this world’s charms and sorrows? And will these experiences alter us beyond recognition?... 


I stand beside my large desk, in my air-conditioned office of the Von Noshrilgram Foundation, peering around the curtain into the world outside, that Middle East. Outside on a tree branch, on the limb of a skeleton of a tree, skinny birds chirp lethargically in the midday heat and wipe their brows, looking in through the sheets of glass as if to say “Hey brother, how’s it on the inside.” I feel a pang of guilt. I consider the Middle East Operation, it’s success. The loss...

As I am sure it is a textbook description, the doctor said it would hurt “just a little”, an understatement, or spoken like a veteran movie critic who just doesn’t have the heart to give away the really good ending.  And because of this, I chose local anesthetic. On the day, the doctor used five needles to freeze the dermal layer, and, when he felt that he had been successful at this, began. It was “exploratory”, exploratory in the sense that the deeper he delved with his scalpel the more frequently he encountered the conscious part of me quick to announce with that rapid unicycle-like peddling motion of my legs and one arm and a Doctor Seussish flow of syllables in search of a sentence that I, Von Noshrilgram Jr. began here. Because it was “local”, I could hear everything in, as they say, virtual ‘surround sound’. The cutting and snipping and, at times, ripping. It sounded as though he was cutting fabric to make finger puppets, then giving up and shredding them, like a petulant child, into tiny unrecognizable bits. Also, it sounded like he was de-boning mutton with a dull knife so perhaps he was making his lunch at the same time. I heard it, all: the doctor’s multiple wet burps, the man in a rage screaming at the top of his lungs in the next room and my doctor’s consequent barely concealed chuckling, the nurse’s comments that the things the doctor wanted were not in the cabinet, “not this one either,” “the one over here?”, “I don’t know who stocked the shelves,” “the one over there?” and “check that cupboard then?”, and “no, not that one, that one.” 


And so on...

It was like I was there.


I imagined my life at that moment existing on a VHS tape, and I rewound it noisily – our voices and the ambient sounds rising in pitch comically and presenting itself as a code to be deciphered by those who might care sometime in the future - just to the point where the nurse appeared in the doorway of the waiting room and announced my name, like a foreign capital he’d never been to and wasn’t much interested in visiting, as I read the paper. This time, however, I do not look up spirited and fearless, but watch him from the corner of my eye surreptitiously, watch him waiting for me too patiently, while the other future patients glance up. In this perfect universe I begin to whistle, then remember a dinner date and excuse myself, embarrassed, “Wrong day!” I shake everyone’s hand and leave with some aplomb. People wave.

While lying on the operating table
with my left arm folded beneath my torso and therefore losing all the feeling it once had but gradually being filled with the sensation that little people were angrily hammering stakes into every inch of flesh to secure small pup tents, I attempted to escape to a more comforting place and thought of a pack of dogs two hundred yards away in a valley across the highway who had pursued me with jaws snapping while I ran for my life in a zigzaggy pattern just the week before. At that moment they were most probably resting beneath the one tree in the dry riverbed with their tongues hanging out, waiting. Outside on the road in the back of a pick-up truck several golden brown camels glanced out onto the town in a superior, bored manner and a nurse swung the operating room door open and announced, “Ding DONG! Anyone home!” 


I jerked up to her surprise. 

Oh!” she said, looking to the doctor, “…Local?” 

The doctor nodded.

Afterwards, a strange thing happened. The operation was over. I was in agony. My tumor, the size of an egg, floated to my surprise in the clear plastic container, looking out lonely. I felt the distance between us. Like an ex-girlfriend you still share some closeness with but know it can’t work out and you’ve both decided courageously to go your separate ways, yet… there you both are, both feeling vulnerable, both needing each other... somehow. 


Maybe it was all me, but I felt a sadness permeating the room. I found myself wondering how it had all gone so terribly, terribly wrong. I wondered what I could have done differently. What I could have eaten, said, been. If I’d taken a different route, made a different life choice, would it all have still ended up this way? Then the doctor waved at me, cheerfully to get my attention, or perhaps to confirm for himself that he hadn’t accidentally severed some crucial nerve that rendered it impossible for me to form a new thought, and, seeing the blood on his hands, my blood, I passed out.

Three days later, I still feel the pain. It aches. I look out the window, trying to muster the strength to get back to work, to get back 'into the saddle', for the old me to return home. 


A bird, one in particular, seems to be attempting to lock eyes with me. He glances to his companions. I look down at the palms of my two open hands impotently, as if one more hand might help… If I let a handful of birds in today, what precedent exactly would I be setting? I turn away completely, as many have before today. Out of my vision this bird drive heaves, a particle of sand stuck in its throat. Oblivious, for I’m pondering the Middle East Operation, I know a decision must be made. I feel my hand on the curtain and know what needs to be done. There are some chapters it’s best to simply leave behind. And there is, of course, the memory of Ivan Von Noshrilgram Sr, distinguished philosopher botanist, wild game hunter, exotic animal trainer, extinguished firewalker, linguist, writer and humanist lecturer, to perpetuate. I’m still me, darn it.

 I’ll find my way.

Still, I wonder what my tumor’s doing right now...?


We would like to gratefully acknowledge the special assistance provided by the Middle East Division of The Ivan Von Noshrilgram Foundation Emergencies and Medical Preparedness Department (IVNF - EMPD) in Abu Dhabi, United Arab Emirates.  




For more information, please contact: 
pinecrestpictures@gmail.com

Monday, July 27, 2009

Hello. Nice to Meet You.


Hello. Nice To Meet You is from Alistair Vogan's short story collection Beyond Good and Eviler.


Chapter One - Surprise

It wasn’t what I’d expected. Anyway, for starters, it wasn’t like the photos... It seemed darker. I entered the school grounds and could see that the main building was considerably older, almost decrepit. I liked it immediately. A dark, grey mold, the result of countless hot and humid summers, had spread across much of its exterior, giving it the appearance of wearing a tattered angora sweater. Somewhere off in the distance, rising above the cries of the cicadas, a chorus of young men screamed, "Baaaanzaai!" - the rally cry of baseball players throughout Japan, and also the shriek of choice for kamikaze. In my mind, with limited associations of Japanese history, the school seemed to be having a hard time shaking off the Taisho era. This was my kind of place.

It was a cloudy day. I passed through the main entrance and was escorted into the staff room in shiny plastic slippers by my new, almost completely incommunicative immediate superior. I was given a cup of tea, and told to relax while I waited for the director. He’d see me soon, I was assured. There was a tension in the air for reasons I didn’t, yet, understand. I stood by the window and grinned stiffly while my new colleagues scurried out of the room. The secretary, a fierce-looking sixty-year-old woman with the eyes of a bald eagle appeared out of a door at the end of the room ominously and made eye-contact with my immediate superior in a way that indicated the director wanted to see me, and for us to hurry. With a firm hand between my shoulder blades, my supervisor guided me down two rows of identical grey desks towards this door, as if I were a model airplane. It was as we neared that I caught the anxious smile on the secretary's face. It seemed to say, "I don't know if this is going to work…" Before I knew it I found myself in the director's office, a dark grey, dimly-lit chamber.

Chapter Two - It’s a Pleasure.

The contrast in illumination was blinding. The curtains and blinds were closed. I glanced around wide-eyed but still it took a moment before my eyes distinguished anything in the black void. When they did adjust I realized I was standing before a stern, older gentleman in a dark blue suit behind a massive and immaculate oak desk. There was a humidor on the left-hand side. He sat facing me at the end of a very long room. I looked at him and he at me, but no words were spoken. He simply nodded, and I was again guided closer by my superior - though now I was acutely aware of the angle at which I was leaning backwards, and the just noticeable hesitation growing within myself. Still, with the grace of an aikido master, I was delivered up against the desk. The director and my immediate superior exchanged glances that said, "…What is this?!" And the director indicated, with a look I interpreted as livid that, perhaps, I’d like to sit.

There was an exchange between the two men, followed by uproarious laughter which was startling. The man behind the desk inhaled half a cigarette then immediately the mirth ceased and he locked eyes with me, his chin dropping. It was The Moment of Truth. His eyes said, "I know what you've done" and I swallowed hard trying to recall what that might be. As I did, he began to speak to me in Japanese at a pace that, for me, was rapid. He spoke at length. I nodded sagaciously, uncertain what he was talking about. When he finished I changed positions and sat upright to indicate that ‘Yes. I was game. I was the man for the job.’ He lit another cigarette and watched me. I realized some sort of response was expected. I listened to everyone’s breathing for a moment then delivered the short speech I had prepared in Japanese, and as I did his expression told me much of the rich impression I was making.

I stopped speaking and could see the director grimacing as if I had been shrieking into a megaphone and that the megaphone, which had picked up my amplified voice, was now sending feedback throughout the room. In fact, at that moment I thought I caught the glass cabinets around us shaking. He jerked his head involuntarily to the right and gave me a full, un-obscured view of his large mushroom-like ear.

I nodded again, uncertain what else I might do.

Chapter Three - Translation, Not Required

My immediate superior stood to my right, slightly behind me. I looked up for some assistance. He appeared to be imagining that I no longer existed. The director turned back and I could see he was considering a change of tactics. Then, in an attempt to bridge the language gap, because I had made it clear my Japanese ability was wanting - or that I was intent on breaking all the laws of Japanese grammar as some form of political theatre – the director began to speak in English. And, when he did, he chose from a collection of common English phrases, one you might find in a small Berlitz pocketbook. Also, I think he picked all the phrases at random. Though in English, my immediate superior translated. I nodded.

A large orange goldfish rose to the surface in the moat surrounding the school grounds. Its mouth stretched open to take in a tossed bread crumb. The fish sparkled in the sunlight and disappeared into the depths of the translucent green.

The director stomped out his cigarette and wove his hand before my immediate superior. Translation was NOT REQUIRED. He paused, lit a yet another cigarette and thought intensely for a moment, looking at his nails. We held our breath. I began to sweat. He snapped his fingers and began to beam. Something good was coming…

We could all feel it.

My superior asked me to stand up. I did. Then, the director pointed to the door with a half-smile like Han Solo and said, to my delight, his voice dropping nearly an octave, "I love you..."

“He means 'thank you’," said my supervisor, not skipping a beat.

The director shot him a look and my supervisor nodded obsequiously. I found my body turning towards the door and moving towards it quickly, as if the room was on fire. This was despite the fact that I, and my superior, could see that the director had more to say.

The door jerked open and the director stepped out from behind his desk, seemingly in slow motion, and looked at me as though I were on a cruise-liner, drifting out to sea, the distance between us growing heartbreakingly by the second. At the corner of my eyes I could see that in the staffroom the English teachers had gathered against the door, and were listening in. Still, I turned to the director. He nodded, reached for the humidor and smiled confidently as Ricardo Montalban might have and repeated, as if to correct my director, "…I love you Mr. Vogan."

My immediate superior whispered "Just bow, bow, …bow."

…I bowed and said “kornichiwa!” and my body glided effortless into the staff room. It was going to be a good year. I just knew it.



京都の日本組 の ザ アイバン ヴォン ノシリルグラム ファウンデション ドもありがと 

For more information, please contact:
Ivan Von Noshrilgram Jr.